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insert_cliche_here
12-18-2010, 01:33 AM
I wrote this the other day. Just thought I'd share it 'cause I'm happy that I finally wrote something again :D

It has a swear word in it, but that will be censored by the forum. I'm sure you can figure out what it is.

I am drowning. The ocean flows around me, stretched endlessly in all directions. The horizon is slashed across my vision, a blurring of blues with dashes of orange where the sun is sinking into the sea. The salt water soaks into every pocket of my lungs and the spray from the waves stings my eyes like tiny knives hacking at my ocular nerves. The vastness is suffocating. I fear it will soon overwhelm me and I shall be dragged to the bottom of the sea. Perhaps I will eventually wash up on the distant shore, left to rot in the sun as a warning to others foolhardy enough to venture into these waters. For now I just bob up and down in the undulating tide.
My clothes billow around my body. Such beautiful things, the fine threads laced together so intricately, yet so carelessly, layer upon layer to form a shirt, a skirt, shields, protection from the malicious eyes of others. Eyes that seek to undress me, and behold my flesh, the corrugated, anemic wasteland it has become. This vessle I use to move about, arms and hands and legs and arse, hair and eyes and lips and tongue, and ****. Fingernails. Fingers. No scars that tell a story. No veins, swimming just below the surface, taking blood to my constantly beating heart. No hairs imperceptibley longer than others, speckled along my antibrachium. No toes. Toes are unimportant. Toes are bland and frigid, providing no pleasure and peeking no interest. But fingers, fingers are sensual. Fingers tracing lines on skin, fingers exploring parts unknown. Fingers slipping over a lip, circling a tongue. Pulling, pinching, plucking. Toes can do none of this. So here I float, only the useful parts of a body, surrounded by sodden clothes designed to protect. But the fabric has frayed. The colour has been leached out of the once vibrantly dyed cotton leaving only warped threads the colour of the vomit you produce when you've drunk too much vodka. Yellowy and pale. Inadequate amour against an on-going assault.

At some point I realise I have been here for days, weeks even, maybe months. While I've floated around, blissfully unaware, the sea has been slowly seeping into my skin. The salt crusts around my pores, leaving an abrasive coating I can't scratch off. The sand settles in my hair, clinging to my scalp like a drowning man clutches a lifebuoy. The ocean demands all of me. It infests my being, infiltrates my body, engulfs my defenses. The waves are becoming more violent. They rise above me and shower me with droplets of acrid liquid that burn my eyes. The water surges into my mouth and I try to cough it out but it forces itself down my throat. I feel it blistering the soft flesh as it passes, scarring me, marking me as its own. The waves again tower over me and this time they topple and crash, sending me spinning under the surface. I writhe and reel, spiralling into the pressing darkness. The pressure hammers on my ear drums, the resounding beat making my whole head throb. My skin prickles. More water rushes past my chapped lips and floods my lungs. I choke and struggle, but the weight of the waves holds me down. I force my legs to kick through water that feels like hardening cement. I raise my face to the light and grapple with the foam as I break through to the surface. Fresh air whips my face and forces my tired lungs to absorb it. I breathe in gaps and silences. Nothing matters but my obtainment of more oxygen.

The sky is pink now, streaks of pale scarlet fleck the blue expanse like scratches on an rapist's face. The light is fading and in the growing darkness I don't see the flotsam that smashes into my skull, breifly pushing my head under the water again. A piece of wood no doubt, worn smooth by the swirling sand. I touch my scalp and discover blood there. There is nothing I can do but wait.
One by one the waves draw up and tumble down, regather and collapse, ceaseless, ageless motions to which I am meaningless. I am tossed like an empty bottle, twisted in the current and dragged under the surface. My clothes tug at me, as though drawn by magnetic forces to the ocean's floor. They constrict me, wrapping around my limbs so I can't keep myself afloat. I tear at the fabric, trying to prise it from my skin, but it is fused to me, every hair on my body is entwined with the threads of my amour. The weight of my waterlogged accroutrement holds me still as the ocean draws back. I am sucked into the hollow as though it is a sink hole and the sea is draining away. Above me the wave builds higher and higher, obscuring the sky, plumetting the world around me into darkness. I shiver uncontrollably as the air whisks upwards. The crescendo cracks. The wall plunges down, folding in on itself with the sound of demons escaping hell through the fissure that has surely opened in the earth. The sky has been slashed open and the last shreds of oxygen are ripped from my lungs as I am driven deep into the gaping mouth of the ocean. It swallows me.
For a moment I naively struggle, determined in my belief that I can break the surface again. But all at once I realise I will never taste the sweet, biting air, I will never feel the sand, the earth beneath my feet, I will never experience the sun's carress of my wasted skin again. I swirl my arms through the water, creating trails of bubbles and finally let my shields down. They float about me, as though dancing. The water ripples and rolls across me, no longer menacing, no longer suffocating, but playful, helpful, like a child and mother in one. It embraces me as I close my swollen eyes and absorb it. It takes my body, even the useless parts, it takes my clothes, my sheilds and armour, it takes all of me. I am drowned.

jango
12-18-2010, 01:55 AM
There's a certain rhythm to your writing that's almost like lyric poetry, or even something like Whitman in his early free verse days. I like the way you keep most of the tactile descriptions as loose and undefined as possible, and choosing words to keep that feeling rolling. At times I found certain parts a little too literal and perhaps a little self-indulgent, and perhaps bringing in another aspect that interacts with this character (?) might be wise, rather than it mostly being about the character interacting with themselves. This might breathe some fresh life into it as the pace did wane a little midway through - but more importantly it might also open up other opportunities for you to play with the ideas you're exploring.


The most important lesson in the writing trade is that any manuscript is improved if you cut away the fat.

As an aside I strongly suggest you take a look at something like The Yellow Wallpaper by Charlotte Perkins Gilman whose free-form, expressionistic style is much like yours, but with the additional aspects of drawing her audience in through opening up expression and exploration. You might glean quite a lot from it. You already demonstrate a good deal of control without doing what some people do (disappearing up their own arses with expression), so working on your exposition will only strengthen your writing, the quality of your expression, and doing the most important thing of all - finding your own voice.

In short .. I liked it .. you clearly have a lot of potential if you're prepared to work at it :)

Thanks for sharing.

insert_cliche_here
12-18-2010, 05:52 AM
Wow, thank you so much, that was pretty much the only worthwhile comment any one has made about this and I posted it on facebook and another forum.

I wish I had heard of either of the people you mention, but despite my love of reading and writing I'm not really what you'd call well read. I'll have to try and find this Yellow Wallpaper. Is it a novel?

I thought the whole thing was self indulgent. My writing often is. I tend to present this pathetic picture of a woman who's been mistreated and objectified and whose self loathing is only matched by the hatred she harbours for the people she thinks made her this way. So I feel quite proud that this garnered less of a "cheer up, you're amazing, I'm here if you need to talk" reaction from at least one person.
My point is, that is something I've been consciously trying to avoid, so I'm happy you said 'perhaps a little self indulgent' rather than 'cry emo cry'.

Obviously you have an understanding and appreciation of language and literature and so on, which I admire greatly, just so you know.

I'm terrible at responding to anything positive or constructive. I don't know what to say aside from thank you, so I'll just say that once again. Thank you so much for your kind and constructive (finally) words :D <3

p.s. thanks for the rep as well ^_^

jango
12-18-2010, 11:20 AM
Yes, The Yellow Wallpaper is a novel, or more specifically a short novel. There's a lot you have in common with the language, and the way in which the language is used to explore surroundings and feelings. You'll see what i mean if you check it out.

I'm glad you found my comments useful - don't give up! Writing's a marathon not a sprint etc :)

And you're welcome btw .. anyone with the patience/ability to work at writing is always worth encouraging constructively :)

Diligence109
12-18-2010, 01:20 PM
I really like it, cliche... the advice jango gave you is more than likely better than anything else anyone of this forum and the next two over are going to be able to give you. I really want to see you keep writing and would love it if you kept sharing your continued work and growth as a writer with us here!

For what it's worth, I'd also love to share my humble impressions and reactions to your piece here. I'm not too powerfully versed in the subject of writing so I'm hesitant to share my thoughts; lest I say something unhelpful or misleading. But, with that disclaimer aside, these are my humble impressions on the piece:


I love the imagery of your writing. Not only did your words really inspire vivid, colorful images for me, but the pace of your writing and the contrast between the images felt like they alternated above and below the water with the persistent beat of the waves. There was an beautiful and equally evenly alternating contrast between images of the cruel, harsh, cold reality of the situation and the dark, intense, surreal mania of the drowning mind.

For example, your opening starts above the water with the horizon "slashed across your vision" and the waves "stinging your eyes"... all very tangible, real, harsh, physical experiences of the situation. The imagery transitions smoothly then into her fear of being pulled down into the vastness of the sea - the image for me goes under the water and into her dark, turbulent, tortured mind. Her imagination wanders as far as washing up on some imagined "distant shore" somewhere before the reader is jarred back out of the daydream and back to the surface of the water with the reminder that, "For now I just bob up and down in the undulating tide."

If I were to offer you my advice in how to make this an even more powerful piece, I would say to watch for this alternation between surreality and reality and being above and below the water and keep the piece engaging and paced by not spending too much time dwelling in one realm - jump back above the water when the heavy weight of the sea has become dull instead of majestic and return back to the dark, colorful, fantastic mania of the mind when reality's crisp, clear, biting pain has become too simple or redundant and lost its sting.

You can even just tuck in these transitions between surreal and real through simple, quick similes or metaphors; and have done so in timely places already. In your third paragraph, towards the end, you remain mostly focused on reality from "My skin prickles. More water rushes past my chapped lips..." but decorate reality with the simple comparison of the water to "hardening cement" and maintain this beautiful undulation between her physical and mental angst.

I don't know that I want to point out places where I feel the composition dwells in one "realm" for too long and starts to lose it's greater potential grip on me, but I hope these comments help you edit this piece or make even better and focused use of your expression in your future writing.

Every now and then you made select expressions that caught me off guard and seemed strange or out of place. The best example I can see right away is your opening to the fourth paragraph where you write red steaks in the sky are "like scratches on a rapist's face." (also, the "a" there is an "an"... looks like a simple, honest typo ;))

I hope this helps you or that my impressions are helpful at least as just another reader. I hope writing finds a place with you in your life, you've a beautiful gift of potential with it!

insert_cliche_here
12-18-2010, 06:33 PM
Yes, The Yellow Wallpaper is a novel, or more specifically a short novel. There's a lot you have in common with the language, and the way in which the language is used to explore surroundings and feelings. You'll see what i mean if you check it out.

I'm glad you found my comments useful - don't give up! Writing's a marathon not a sprint etc :)

And you're welcome btw .. anyone with the patience/ability to work at writing is always worth encouraging constructively :)

Cool, I will see if I can find it, thanks.

I've been writing since I was like 6, so don't worry, I'm not gonna stop any time soon, but I don't have any delusions about it ever being a career.

I agree, frankly, I'd think anyone under 25 who's able to read and write at all should be encouraged, since a lot of young people (god I feel old) can barely spell their own name. Can't wait to see how people who can't form coherent sentences go with running the country.

Thanks again <3


I really like it, cliche... the advice jango gave you is more than likely better than anything else anyone of this forum and the next two over are going to be able to give you. I really want to see you keep writing and would love it if you kept sharing your continued work and growth as a writer with us here!

For what it's worth, I'd also love to share my humble impressions and reactions to your piece here. I'm not too powerfully versed in the subject of writing so I'm hesitant to share my thoughts; lest I say something unhelpful or misleading. But, with that disclaimer aside, these are my humble impressions on the piece:


I love the imagery of your writing. Not only did your words really inspire vivid, colorful images for me, but the pace of your writing and the contrast between the images felt like they alternated above and below the water with the persistent beat of the waves. There was an beautiful and equally evenly alternating contrast between images of the cruel, harsh, cold reality of the situation and the dark, intense, surreal mania of the drowning mind.

For example, your opening starts above the water with the horizon "slashed across your vision" and the waves "stinging your eyes"... all very tangible, real, harsh, physical experiences of the situation. The imagery transitions smoothly then into her fear of being pulled down into the vastness of the sea - the image for me goes under the water and into her dark, turbulent, tortured mind. Her imagination wanders as far as washing up on some imagined "distant shore" somewhere before the reader is jarred back out of the daydream and back to the surface of the water with the reminder that, "For now I just bob up and down in the undulating tide."

If I were to offer you my advice in how to make this an even more powerful piece, I would say to watch for this alternation between surreality and reality and being above and below the water and keep the piece engaging and paced by not spending too much time dwelling in one realm - jump back above the water when the heavy weight of the sea has become dull instead of majestic and return back to the dark, colorful, fantastic mania of the mind when reality's crisp, clear, biting pain has become too simple or redundant and lost its sting.

You can even just tuck in these transitions between surreal and real through simple, quick similes or metaphors; and have done so in timely places already. In your third paragraph, towards the end, you remain mostly focused on reality from "My skin prickles. More water rushes past my chapped lips..." but decorate reality with the simple comparison of the water to "hardening cement" and maintain this beautiful undulation between her physical and mental angst.

I don't know that I want to point out places where I feel the composition dwells in one "realm" for too long and starts to lose it's greater potential grip on me, but I hope these comments help you edit this piece or make even better and focused use of your expression in your future writing.

Every now and then you made select expressions that caught me off guard and seemed strange or out of place. The best example I can see right away is your opening to the fourth paragraph where you write red steaks in the sky are "like scratches on a rapist's face." (also, the "a" there is an "an"... looks like a simple, honest typo ;))

I hope this helps you or that my impressions are helpful at least as just another reader. I hope writing finds a place with you in your life, you've a beautiful gift of potential with it!


Thank you so much ^_^ That was very helpful indeed. I honestly didn't even think about the pacing or the contrast between the real descriptive and the mind descriptive, so I'm glad you made that connection for me.
With that understood I'm sure I can consciously make the flow and pace more effective.

I'm happy to share my work with any one who'll actually read it. Those people are few and far between. I don't ask for a deconstruction or edit, but I expect more than just a 'dude that's awesome', and so far this forum, strangely enough, is the only place I've received that. I just want to share something I've created with others for their enjoyment or whatever. In other words, I'll keep posting it here :)

I find it interesting that the rapist metaphor jarred you, but the use of the word c**t didn't. Why was that?

Oh and I'll sort that 'an' out but good :p

Thank you so much for your comments, it really is appreciated. Everything you said was useful. Thanks for the rep too :)